National Novel Writing Month entails copious cups of green tea, manic pounding of the keyboard, dreaming up scenes, talking to your characters, considering what they’d do in your shoes as you go about your life, and basically being taken over by this snarling, squalling, blossoming thing called the Work In Progress. Anything that helps churn out that 50K-word manuscript in a month.
WIP is going relatively well so far, considering how it had bucked and stalled like a horse that needs to poop for the first couple of drafts before I decided to take a break from it (let it, um, poop, so to speak).
Page 198 was where it succeeded in boring the brains out of me, so now I’m giving it another try, this time with a structure I’ve never quite dared to attempt before. Narrative within a narrative. Flashbacks (always risky). Non-linear chronology. Something like what Karen Foxlee did with The Midnight Dress.
Once I decided on this structure, it’s like things finally clicked into place. This is what gets me fired up and excited to write the story! This is what’s missing in the first two attempts! This is what makes me dig deeper into my characters!
Okay. *cracks knuckles* *flexes fingers* Let’s do this.
Just so we’re clear, I’m probably not going to finish 50K in one month. I’m not going to embrace that kind of insanity. But I’ll just try my best and log in the daily word count and see where this takes me.
For my fellow NaNo-ers, here’s some wisdom from best-selling author Chuck Wendig on the writing process:
“We wish the best for our stories. We want them to be great. We want them to win awards and climb to the top of the bestseller mountain and maybe they’ll change somebody’s life and earn us a giant sack of cash which will allow us to buy a jet-boat or an oil drum full of that very rare civet-poop coffee. Maybe a jet boat fueled by civet-shit coffee.”
Yup, that’s Chuck.
“… go forth and write.
Without pressure, without fear, without the expectation of doing anything but crossing the finish line.”
And some civet shit-free wisdom from Laini Taylor (please update your blog, Laini – I’m dying for some snippet of your life!):
“Imagine you’re standing at the edge of a jungle in, let’s say, Borneo (because I have a fascination with Borneo). You have a rough idea of how big this jungle is — you’ve flown over it in a helicopter and seen dense green treecover, and you know what’s on the other side. You know where you want to get to, and you have a very vague idea of what’s IN the jungle, but you have no map, and as of yet there is no trail. What you do have is a machete, a blank roll of paper, and a grease pencil.
There’s only one way to get to the other side of the jungle: take out your machete and start whacking. Carve your way forward and forward, sometimes sideways and sometimes back, until you get to the other side. That first time through, you’re going to come across ravines, swamps, viper nests, rivers, all sorts of things you didn’t expect and you’ll deal with them and get around them, over them, through them, in all manner of resourceful ways. And when you step out of the jungle on the far side, what you’ll have in your hand is a sprawling, wrinkled, sweat-stained mess of a map of the territory you’ve just discovered. It might not look very pretty, but it is a glorious thing, a document of discovery. You clutch it to you, and after you’ve rested and healed for a while, you go back to the far side of the jungle and. . . you start again.
This time, with your messy map in hand, you’ll know where to go and where not to go. Some of the things you discovered your first time in, you’ll want to avoid like the plague; others will be perfect, serendipitous things that make the journey richer than you could have imagined when you set out. You’ll know your jungle/story intimately, the good and the bad, from ground level. Outlines, I think, are kind of the equivalent of aerial photography — you get some idea, but you can’t really see what it’s like down below — not until you’re walking through it. And when you find things to be not exactly as they had seemed from the air, you have to adapt.
The second time through, your passage will be much more elegant than the first, and it will also be less exciting. Nothing will ever be so miserable or so thrilling as that first bushwhack. . . that first exploratory draft. The misery and the thrill are intertwined — that’s exploration for you, taking the leeches and fevers with the discovery and getting to name islands and swamps after yourself! The second time, you’ll know what to expect. You’ll be refining your map. It will get more perfect and less exciting with each pass, and then one day you’ll be done. Done with that jungle and ready for a new one.”
Yes, this analogy is perfect.
Yes, Laini Taylor is perfect.
Yes, I wish I could write like her.
Speaking of whom, yay for more Laini goodness: her short story, which is collected in this anthology called My True Love Gave to Me, has just been released!
|Image from GoodReads
Laini’s in good company too: Holly Black, Kelly Link, Stephanie Perkins, Myra McEntire, and more!
And you guys, the UK version has HOT PINK pages:
SO grabbing this from the bookstore.
May the writing gods be with you this NaNoWriMo! :0)